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Stan Lee and the Rise and Fall of the American Comic Book, by Jordan Raphael, Tom Spurgeon
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Based on interviews with Stan Lee and dozens of his colleagues and contemporaries, as well as extensive archival research, this book provides a professional history, an appreciation, and a critical exploration of the face of Marvel Comics. Recognized as a dazzling writer, a skilled editor, a relentless self-promoter, a credit hog, and a huckster, Stan Lee rose from his humble beginnings to ride the wave of the 1940s comics books boom and witness the current motion picture madness and comic industry woes. Included is a complete examination of the rise of Marvel Comics, Lee’s work in the years of postwar prosperity, and his efforts in the 1960s to revitalize the medium after it had grown stale.
Read more about Stan Lee and the Rise and Fall of the American Comic Book at www.stanleebook.com.
- Sales Rank: #1416397 in Books
- Published on: 2003-09-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.35 pounds
- Binding: Hardcover
- 306 pages
From Publishers Weekly
Stan Lee, the cocreator of pop cultural icons like Spider-Man, the Hulk and the X-Men, has long been the subject of debate within the comics community, and Raphael and Spurgeon aim to set the record straight in this well-researched and entertaining book. In the late 1960s, Lee elevated himself into the public eye as the face of Marvel Comics, adopting a colorful persona along the way. Left behind were his c-creators, artists Jack Kirby and Steve Ditko, who never received the credit they deserved. At age 17, in 19TK, Lee (n‚ Stanley Lieber) took a job as an all-purpose assistant at his cousin Martin Goodman's comic book company, Timely. A frustrated novelist, Lee remained at Timely, shielded by Goodman from the industry's mid-century tumults, and eventually he transformed the company into Marvel Comics, steering it and himself into pop culture history. The authors portray Lee as a constantly enthusiastic, slightly daffy figure who turned a Depression-era work ethic and real bursts of creativity into something special. For all of his faults, the authors give Lee proper credit for being a fast and exciting creator who gave superheroes real-world problems and anxieties and used this realism for its maximum potential. Raphael and Spurgeon also chronicle Lee's decades in the wilderness of Hollywood, trying and failing to get decent films made from Marvel properties. Writer Raphael and cartoonist Spurgeon have put together a solid narrative well interwoven with the history of comics. As they demonstrate well, Lee's story is the story of mainstream comic books and one that is important reading. 12 pages of b&w photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Raphael and Spurgeon march readers through Lee's first 80 years, taking many compelling byroads along the way to observe the history of American comic-book development, distribution, and readership. Lee created a dynamic and somewhat charismatic persona for himself early in life, and was able to move from technical grunt work to a certain level of co-creativity with more sophisticated artists, and from errand boy to publisher to media mogul. He is, indeed, a part of popular culture with high name recognition. The authors use a variety of resources, including interviews with field specialists and unpublished writings, to substantiate their views of both the man and the medium's evolution. While there are source notes for each chapter, they appear in alphabetical order, making it impossible to find the specific reference to which some controversial declarations are attributed. This will frustrate those doing higher-level research but won't impede casual readers' enjoyment of a colorful man's story told through well-described vignettes.
Francisca Goldsmith, Berkeley Public Library, CA
Copyright 2003 Reed Business Information, Inc.
From Booklist
Stan Lee is probably the world's most visible comic-book creator, though he has retired from comics writing. His career in the industry dates from 1940, but he toiled anonymously until vitalizing the field in the early 1960s with Spider-Man, the Fantastic Four, and the other, groundbreaking Marvel Comics superheroes. As Marvel's line grew, Lee turned to overseeing the expanding roster of titles and was gradually eased into being company figurehead, traveling the country to shill for the firm. Recently his reputation has been tarnished by accusations that he tried to hog credit for creating Marvel's iconic characters by minimizing the contributions of the artists who worked with him. This well-researched biography usefully corrects Lee's self-serving memoir Excelsior! (2002) and also serves as a critical history of Marvel Comics as well as an overview of the rise and fall of the entire comics industry, now at a commercial nadir, selling a fraction of the number of copies it once did and existing largely, it seems, to develop fodder for blockbuster movies. Gordon Flagg
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
5 of 6 people found the following review helpful.
Stan is his own man, and has taken lumps to prove it.
By Michael Griffith
In comicdom, there are a few creators (Stan Lee, Jim Shooter, various editors at DC Comics, et al) who are seen as bad guys for one reason or another.
Here we have what I think is a balanced account of Stan Lee, who has been seen as everything as a genius to a thief to a visionary to a hack.
Did Stan lie about his creator status of the Marvel Universe. Yes. Did he overstate his role in the creation of Spider-Man, the Fantastic Four, Iron Man, Doctor Doom, etc.? Yes, and he has sometimes stated as much (with an uncomfortable squirm, I bet).
Is he a bad guy for doing so? Well....if honest is the best policy, Stan is one for bad policies, I guess.
Love him or hate him, he IS one of the great figures in comic books and it is easily argued that without Stan Lee's contributions, comic books would not have been the social force and just plain fun that they were in the 1960's and certainly Marvel would not be, to this day, on top of the heap of comic book companies.
This book is well-written and holds back only in the slightest. Stan gets the black eye he deserves. But he also gets the pat on the back he deserves, too.
I'll now go on to read his own "Excellsior" with one eye on this book to remind me of the hype that Stan is famous for pulling.
This is a fast read and very entertaining. It offers super pictures (which Ronin Ro's biography of Jack Kirby sadly lacks) of Stan at various stages of his life. ALL Marvel fans and fans of the Silver Age of comics should read it!
Nuff Said!
1 of 1 people found the following review helpful.
A great read about Stan
By A guy
Factually this jives with the other books about Marvel's history (except the ones written by Stan himself). A great bit of nostalgia mixed in with some myth-busting revelations. Nothing terribly new here, but a poignant and bittersweet summary of Stan Lee's career up to about 2003-2004.
0 of 0 people found the following review helpful.
Two Stars
By J. Palmer
ok rehash
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